Michael Domeyko Rowland is the Best Selling author of the book ‘Absolute Happiness’ and Writer/Director of the Cinema Feature Film ‘Being in Heaven’

Would you like to learn how to write Film Scripts, Novels and Non Fiction books in the fastest, easiest, and most enjoyable way possible?

Welcome to Superconscious Writing!

Limited Places Available due to Personal Attention.

Hello,

I’m Michael Domeyko Rowland,

Have you ever wanted to write a novel, a film or television script, or play? What about children’s stories? Or non-fiction books, family memoirs or stories for seminars or speeches?

There is an insatiable demand for all types of stories and the quickest and most stimulating way to generate additional income is by becoming a writer of stories, whether they are books or films.

Many first time writers have created literally huge fortunes from their books.

Writing is the most creative outlet for anyone. You explore your own inner being and discover all sorts of things about yourself that you would never find in any other way. It is a fascinating and amazing experience.

Writing also makes you a far more interesting person and gives you access to a wide range of different experiences and people.

Story telling is an art-science. There is no mystery to it. There are a handful of steps you need to learn, and once you have those, you can pour your story into them with the greatest of ease.

Let’s save you a decade or two trying to find out how to do it for yourself.

There are three parts you need to know:

The first part is all the essential structural steps that you will need, in order to keep your audiences attention on the story. This is sometimes called being a page-turner, which means the reader wants to keep turning the page to see what happens next.

This is like the form work into which you pour your story. Just as a concrete slab is poured into a form work moulding, so that the concrete keeps its shape and doesn’t flow all over the place, these essential structural steps are the skeleton of your story.

They are things like plot, premise, theme, character and character arc, story world and so on. They are not rocket science to understand, but if you leave one out then it is like driving a car with only three wheels. It doesn’t go so well.

We will give you all these steps and the exact way to structure them.

The second part of the course contains the psychological imperatives that are an essential part of writing.

Writing is a communication between minds. Its goal is to take the reader or viewer beyond their conscious mind and into a deeper, inner realm, where they become completely absorbed in the story.

This requires an understanding of the psychology of the personality to know what to do.

All of us are made up of several different subpersonalities, not just one single, sort of big personality.

Just as you have different programs on a computer, which have specific tasks, you also have different subpersonalities with their specific behaviours.

So you have one subpersonality that might be a perfectionist, another an analyst, another a sports person, another a romantic, another a pusher, another an aggressor and so on.

You have dozens of different subpersonalities that you use in the various areas of your life

And understanding how these work is the great secret of creating characters that resonate with your audience.

Basically, when you write a story that involves a character arc, whether it is a novel or a film script, it is a story of a single individual, the lead character, going through a transformation. Audiences identify with this most easily.

Now what is very interesting is that, in great stories, all the other characters in the story or film, are actually an externalisation of the different subpersonalities that exist in the lead character’s mind.

Just like a dream is filled with characters, but they are all from the individual dreamer’s own mind, a story (film or book) is also a ‘dream’. This is what makes a great story: it is totally integrated because it is about a single mind, and so resonates with the audience like no other story can.

So what you are actually experiencing in a story is the mind of one person (the lead character) as they go through a transformation. Each part of the person’s mind is expressed as a different character in the story.

It is as if you have been able to lay open one person’s mind and reveal all the different subpersonalities that make it up. You give each subpersonality a role in the story.

So let’s make it easy to understand by taking one of the most popular films of all times, the first ‘Star Wars’.

Luke Skywalker is the lead character. He, like every other human being, is made up of a collection of different subpersonalities.

If you were to analyse Luke Skywalker in a psychological sense, you could identify the different part of his personality in the following way:

Within his mind he would have a wise guide subpersonality. We all have an inner wisdom part of ourselves that comes to help us in times of need. The character in ‘Star Wars’ that played this reflection of Luke’s inner wisdom was Alec Guinness, playing Obi-Wan Kenobi.

Luke’s mischievous ‘cowboy’ self (and what young man does not have one of these) is of course Han Solo, played by Harrison Ford. The anima or feminine part of his nature that he needs to integrate is of course Princess Leia, played by Carrie Fisher.

His dark side, his shadow self is naturally Darth Vader and his cohorts. His battle is clear: to find the warrior subpersonality within himself, enter the fight between good and evil, which is the constant inner psychological challenge for every human being. We can all identify with these black and white characterisations.

If you analyse most successful films you find that they follow this framework.

So when you are writing a story, again a novel or film script, you are expressing only one individual mind. Writers who understand this can communicate far more deeply with their audience.

Because let’s face it every member of the audience whether a reader or a viewer only has one mind themselves, made up of a number of different subpersonalities.

Understanding the writing at this level makes your work far more interesting for you to write as well as for the audience to enjoy and be transformed by.

The second aspect of writing from the personality level, is that every character you write is an expression of one of your own subpersonalities. The hero of your story is normally one of your primary selves and the villain your own shadow or dark side.

All this will be explained in great detail for you in the course and it is obviously vital to know this if you are going to be a successful writer.

The third part of the screen and story writing course Is ‘what part of your mind are you writing from’.

Most people write their stories from the conscious mind. But the conscious mind is only filled with your everyday, repetitive thoughts. It is essentially pedestrian and uncreative.

You can tell when you’re writing from the conscious mind because you experience writers block. You are trying to extract from your conscious mind new and original ideas, but they are not there. It is like trying to extract gold from a coalmine. It just isn’t there, and this is what writers block actually as.

Others tried to write from the subconscious mind. But as this is normally filled with old unresolved negative emotion, and is not very interesting for an audience. It is also the reason we see so many dark books and films made these days. People are dredging through their subconscious to come up with stories.

The greatest writers of all, as well as the greatest musicians, artists, scientists and inventors, access what we call the superconscious mind.

The superconscious mind is that part of your mind which contains all the higher faculties, such as intuition, inspiration, genius, extra sensory perception is as well as the faculty which creates all your dreams, which we call the Mythopoetica.

Every night, whether you are aware of it or not, you dream. Something creates those dreams. You don’t have to do anything to cause them to appear.

Many dreams are amazing and extraordinary and filled with meaning. They are also fully self-contained, just like a story, with their own cast, locations, adventures and emotions.

The greatest writers of all learned to tap into their Mythopoetica and, in the same way that you receive a dream, the great writers received their story.

Just as Mozart would not sit down and try to write a symphony by trying a few notes until it sounded good, he would receive the complete symphony played within his mind, directly from the superconscious, and he would just write it down.

This is the same for Elton John and Keith Richards of the Rolling Stones, as well as countless others. They do not think up their music, they merely receive it.

In the same way, whether you are JK Rowling or Stephenie Meyer of the Twilight books, or any of the great writers from the past, you find that what they do is receive their stories rather than think them up.

As Robert Louis Stevenson said: I am not a writer, I just take dictation.

Very few people have this skill naturally, but it can be learnt quite quickly and you will be taught how to do it in the screen story writing course.

You know you are writing from the superconscious when there is no writer’s block. Some people muddle up writing from the superconscious with writing from the subconscious. Subconscious writing is usually uninspiring and the characters are confused or locked into some dark experience. The audience are often left feeling flat and depressed.

Superconscious writing, like a symphony, uplifts and inspires the audience.  It can be in any genre whatsoever and can take the audience through a whole range of emotions, but at the end of the story they are exhilarated or inspired.

So this way of writing successful novels or film scripts, firstly integrate together the lead character and all the other characters. Secondly, the story comes from superconscious, from the Mythopoetica and thirdly, it is poured into the formwork of the essential structural steps.

This is also a very fast way of writing and gives you stories that connect to a wide variety of people, giving you a very large audience, as well as making your work attractive to publishers and film producers.

I am sure you will find it a fascinating and valuable resource to help you on your path to successful writing. Writing really is a great career, as well as an excellent additional string to your bow.

The Screen Story Writing Course Presentation Method

The course will be presented via the web. We are using the web as the distribution medium only, so you can do the course at your leisure. You do not have to sit in front of the computer at specific times. You will only be downloading the lessons from our website.

The eight lessons are available via a web link, each with a forty-five minute Mp3 audio lesson, plus the written material on Pdfs from the audio (We make both available as many people like to listen to the audio and then read what they have listened to). There are also exercises you can do. These are as PDFs. You download these onto your computer and can then listen to the eight Mp3 audio lessons on your computer, your iPod or Mp3 player, or burn them onto a CD.

You can print out the Pdfs for yourself. You will also be advised of which movies to watch, as they will be mentioned in the lessons.

With the practical exercises you can do if you want to, there will be no marking of them, but you will be able to email me any questions about the system and I will answer them.

Screen and story writing can be taught in a very short space of time, once you have the method laid out for you. This system of writing is so different from what is taught in all writing schools today, that it leaves them far behind and makes much of what they teach unnecessary.

You will receive the complete system, and lay out the exact steps that you need to know, in order to be able to write great stories and movie screenplays, or any other type of writing where an audience is involved.

Once you understand these principles, they are very simple to apply. It is just a matter of knowing how. This knowledge will help you more than anything else to become a highly successful writer.

Screen Story Writing is a brand new and unique course. As this is the first international release the fee for you has been reduced to $AUD330. (The US dollar and the Australian dollar are very close to parity. As we are in Australia, we use $AUD for the course). Please take advantage of this reduced fee as it will be going up once this introductory offer is filled.

There is a 14 day unconditional money back guarantee. If you are disastisfied with the course for any reason, you can receive your money back within fourteen days of your purchase date.

If you would like to be one of the few who have the opportunity to take up this offer, please go to the PayPal box below, which also takes credit cards, and register there.

If you do use the PayPal facility, then please also email me so I can check your order has arrived to:

info@screenstorywriting.com (this email can also be used for any enquiries)

I will then set up your password and send you an email with the links, so you can download the whole course. You should have this within 24 hours if not sooner.

Kind Regards,

Michael Rowland

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